Arts and Crafts

Rockwell speaks to me.

I’ve been doing a bit of thinking about what elevates something from the pedestrian to the sublime. What is the difference between something that is merely well crafted and entertaining, and something that is ART?

            This is not an area of study that rests easily within the limited space of my diminutive brain-pan.

Picasso does not.

            It doesn’t help that my tastes run more toward the popular and less toward that which is traditionally, or generally, considered art. The truth is, whatever the unique thread of creative logic that lead him there, I will never appreciate the work of Pablo Picasso as much as the work of Norman Rockwell. I will never prefer the writing of Charles Dickens to that of Orson Scott Card.

            I know. What can I say? I’m a rube.

            Don’t get me wrong, I have read, absorbed and even enjoyed much of the work of Dickens, and have come to appreciate, on an intellectual, and visceral level, the paintings of Picasso. But, ultimately they simply don’t engage me in the same way. There are dozens of mitigating factors, of course. Picasso’s style is challenging and Dickens’s writing is a somewhat dated product of its era.

Weak excuses, I suppose.

I certainly value what more esoteric artists have added to the world, but a Frank Frazetta painting or good pulp adventure yarn still engages me more thoroughly.

            Why?

            Maybe I’m just a farm boy, whose taste is in his mouth.

            Or maybe I’m a simpleton whose taste is in his ass.

            Both assertions might be true.

            However, there is one thing I know for certain. I don’t appreciate anything that doesn’t stem from a deep understanding of the craft. By craft, I mean the nuts and bolts of the medium.

A short history of Picasso's artistic development
displays his early mastery of the craft.

In painting, that’s anatomy, perspective, color, composition, and other fundamentals. In Picasso’s case, he was rigorously trained in these fundamentals, and then made an intellectual and creative choice to eschew those basics. That I can appreciate. Certain other individuals, who have been widely heralded as great artists, lack these skills completely.

That I cannot abide.

This shows no understanding
 of craft whatsoever.

I can see the great skill and craft utilized by comic book artist Dave Stevens as readily as I can see it in the work of Rembrandt, and I can fully appreciate both.

But, Dave transports me away from the mundane, and I guess that’s the key.

Maybe the question is why I need to be transported away. Why do I crave escapism more than intellectual or aesthetic stimulation?

Perhaps it stems from my frustration and disillusionment with the world and my life as it is, or perhaps from an unfulfilled adolescent need for the magical, I don’t know. But whether it’s little “a” art, or big “A” art, you’d better have your craft figured out, or I will dismiss you as unworthy.

And this is where I find myself. Working on my own crafts of writing and drawing, and trying, perhaps in futility, to master and transcend those fundamentals, whatever my subject matter.

Wish me luck.